Episode 12: Westerns in Comics

Podcast Notes:

In the news we discuss,

  • Cancellation of six DCnU titles: Static Shock, Men of War, OMAC, Hawk and Dove, Mr Terrific and Blackhawks.
  • Replacement six titles: JSA, The Ravagers, World’s Finest, GI Combat, Dial H and Batman Incorporated.
  • nu!Huntress has been confirmed as Helena Wayne.
  • The resurgence of Liefeld. Writing and drawing three books now. Because Hawk and Dove did so well.
  • Thoughts on the new DC logo.
  • New Arrow TV show pitched as a Smallville replacement.
  • Discussion of the upcoming cross-overs being planned.
  • People’s Choice Awards actually voted for Green Lantern.
  • Kickstarter problems, Ashes and the creative split of Alex Di Campi and Jimmy Broxton.
  • The GI Combat backup issues, relaunch of The Unknown Soldier and whether this is a comic that could easily be written while still respecting the serious nature of the first series.

What we’ve been reading:
Chris has been reading Steampunk collections by Ann and Jeff Vandermeer given to him by his (awesome) partner. Otherwise still going through the  New 52,  finding himself unimpressed with the #5s so far. Opinions on  Animal ManSwamp ThingStormwatchBatgirl and Suicide Squad.
Zoe  doesn’t want to discuss the entries for the Aurealis, but has otherwise been reading loads of Le Guin, Russ and Palmer. Enjoyed the hell out of Regalia, which is just as well given her previous adventures involving Eliza Frye.

We finish this week with a light discussion of Westerns in comics, particularly Jonah Hex and All Star Western as they are what Zoe is currently obsessed with.  The awesomeness of Palmiotti and Gray’s writing as well as similarities to Preacher and masculinity in the genre are also discussed.

In which I am late to the Jonah Hex Party

Face Full of Violence, Jonah Hex trade cover

I may have a soft spot for grumpy old men.

On a recent whim I bought six of the Jonah Hex books off Book Depository. I think there were tweets flying around about it going out of print soon. In any case, I now have:

  • Face Full of Violence
  • Guns of Vengeance
  • Origins
  • Only the Good Die Young
  • Luck Runs Out
  • Counting Corpses

It looks like I’m not going to be able to get hold of Lead Poisoning easily which is pretty annoying for me, but gives you an indication of how positive the review under the cut is going to be. For the record, I’m holding off till after the Christmas mayhem to get the rest of the trades.

I’ve written before about enjoying the creator combination of Conner, Palmiotti and Gray’s work, so buying these meant an opportunity for me to see for myself if the writer combination of just Gray and Palmiotti was worth the fuss I’d been hearing.

Continue reading

A Solid Trade: Terra

Terra using her powers to hold up a rock
A pun about Terra ‘rocking’ it goes here.

As I promised, here’s my review of the trade I read during the Girls Reading Comics in Public event. I picked this up on a whim, purely because I felt like reading something new and saw that it was Conner on the art.

The trade has the  Supergirl #12 single up first, which is basically Supergirl vs Terra, which was discussed on  How I Got My Boyfriend to Read Comics. The plot is irrelevant, just a backdrop to a comparison of the two heroines and an excuse for punching. The contrast is very cool: despite the fact that it’s clear the girls don’t understand each other, you don’t see either demonised. This is  pretty rare in comics, rarer even than genuine female friendship – two female heroes not getting along but neither being a painted as a complete bitch.

Terra and Supergirl arguing in Dr Midnights Lab

Gratitious nudity? Sure! But only if each individual panel shows Terra with a different facial expression, all showing how pissed she is.

The miniseries follows a similar pattern. We see Terra running around the planet stopping natural disasters and villains, saving people, while refusing to slow down long enough to talk to anybody and causing confusion. Eventually we discover more about her origins, mostly through her actions (no flashbacks!), as she opens up enough to the other superheroes in time to have one help her kill the big boss and another teach her how to ‘live’.  The themes here aren’t complicated or sophisticated – the environmental and ‘friendship is magic’ themes in particular are a too little heavy handed for my tastes. The happily-ever-after ending, with Terra making friends or gaining acceptance from Earth’s other superheroes is also pretty predictable.

Despite average plots and simplistic themes, Palmiotti and Gray manage to write a great story. The amusing dialogue, characters with personality rather than 2D sidekicks, and a talent for creating fun individual scenes makes for an addictive book. This, coupled with Conner’s legendary ability to draw facial expressions and body language on top of some wonderfully cheesecakey moments, means that you find yourself really caring about these people. Sure, Conner does seem to enjoy drawing naked ladies, and sometimes pushing the cheesecake a little too far for my tastes, but most of the time she manages to get sexy without resorting to porn star posing or proportions.

The characters are all refreshing as well. For example: Atlee’s  lack of self-doubt.  She is driven. She knows what she wants to do, she knows how to do it and why. She shown to be a bit lonely, but not a loner. She’s a little homesick for family, but it’s because she’s away from them, not because they will Never Understand Her Pain. In short, she’s independent and secure in all aspects of herself, which is a welcome change. The huge number of female characters throughout the series is also noticeably cool. We go from reporters, to Powergirl and Supergirl, through to Silver Banshee, to some of the underground alien whatsits. This shouldn’t be a big deal, but compared to other DC books? The only other one I can think of that successfully does this is Birds of Prey and even then, some of the authors didn’t really get it.

The classiest moment in the book. Arch your backs, ladies! Further! Further!

Terra is as refreshing in how it has little twists where you’d normally expect to see authors falling into cliche and trope. Terra taking Geo-force to her home to save his life  and talking to her parents… you’re all set up for case of angst and rejection, but instead they understand and it’s dealt with. No boring-as-fuck drawn-out scenes here.

It’s not a flawless piece when it comes to avoiding cliche, though. There is the occasional fan-service, and the big bad especially falls prey to a large number of ‘my girlfriend is dead’ tropes, but this is not a book about the villian… I found when these hiccups do occur, they seem to be keeping the tone fun and self-aware, a deliberate choice, rather than the usual lazy unoriginality you normally see.

Weirdly I suspect this is the first time I’ve read an entire trade by the Palmiotti, Gray and Conner dream team I’ve heard so much about. If this is the level of quality I can expect, excuse me while I go and track down everything they’ve ever done. While it’s not the deepest GN I’ve ever read,  it is witty and fun entertainment.